SmallStations - Jonathan Dunne
‘Possibly the most impressive novel ever written in the Galician language’. With these words, the eminent critic Basilio Losada describes Suso de Toro’s novel Tick-Tock in a letter to the author. Suso de Toro is alternative in everything he does, he rearranges the boundaries, surprises the reader, does the unexpected, persons, tenses change, and what could be construed as an atheistic, chaotic novel acquires hints of religiosity. Nano, the narrator, is a man of uncertain age who has never made it in the world, but who likes to hold forth all the same, to fill notebooks with his thoughts on fishing in the Gran Sol, on controlling his libido, on inventing machines that serve no purpose. The novel centres on his experiences, and on the lives of those around him: his mother, his father and half-brother, the people who occupy the building where his mother cleans. Tick-Tock, a sequel to Polaroid, received the Spanish Critics’ Prize for its unconventionality and narrative expertise, and is the author’s most popular work.
In this second instalment of Leo’s travelling adventures, Leo, a university graduate, has been travelling on her own for three months. She finds herself on the outskirts of Ankara, the capital of Turkey, after visiting the famous rock churches of Cappadocia. She returns to Istanbul, hoping to find her current boyfriend in the hotel room where she left him. A moment of panic causes her to lash out and buy a one-way ticket to Prague, where she hooks up with a group of Americans, practises her English and tours Bohemia with its ups and downs. She then dresses up as a Vestal Virgin to see if she can fool the man of her dreams in the Roman Forum. Another misunderstanding almost leads to disaster, but the other members of Ruth & Co. – the group of buskers who are a joy for the pocket and a heaviness for the heart – prevent this, and together they travel to Siena, Bologna and Venice in Italy before Leo decides it is time to visit her favourite aunt in Paris. Along the way, Leo continues to come across graffiti that says ‘I Love You Leo A.’ – who is the anonymous author of these messages that pursue her wherever she goes?
Sam is a drug addict with a sense of humour. One particular escapade lands him in hospital, where he makes friends with the old man in the adjoining bed and becomes progressively enamoured of the nurse Miss Cowbutt’s unsung qualities. In an attempt to wean him off his drug habit, his elder brother, Nico, takes him to the village, Aita, where their grandmother lives, a world far removed from the distractions of modern life, in which even the silence seems animate. He meets up with Gaby the single mother and Dombodán the collector of discarded items. He also becomes acquainted with a slippery customer named ‘Sir’ who takes refuge in the radio set in the attic. A host of colourful characters – from Tip and Top to the ‘relentless lady’ – populate this tale, which pits a victim of zero expectations against the haunting traditions of the village.
Clara Soutelo is a sixteen-year-old girl who spends her summers in the town of Vilarelle in Galicia. She descends from a well-to-do family that was on the winning side in Spain’s Civil War and that occupies the manor house in Vilarelle. All the local families look up to them, and Clara has taken this attitude for granted. That is until the summer of 1995, when a skeleton is discovered in the manor house during restoration work. It has been walled up for many years, perhaps since the time of the Civil War, and the skull has a bullet hole. Clara also discovers a ring bearing the initial ‘R’. What is the identity of the victim, and who wielded the murder weapon? The search for the discovery of the truth will lead Clara into her family’s inglorious past through the witness of the town’s inhabitants, and will also sow the seeds of romance between her and a young mechanic by the name of Miguel, descendant of the bookbinder Ishmael, with whom she shares the secret pleasure of reading.
By the winner of the 2015 Spanish National Prize for Children’s and Young Adult Literature, Heart of Jupiter is the story of a teenage girl, Isla, who moves home and has to start over at a new school in Region. Here she makes friends with Mar, who helps her adjust to her new circumstances, but she also comes across Oak, who is determined to make her life miserable and seems to bear a grudge. She spends her nights chatting online with Jupiter. They share a common passion for the stars. Isla finds solace in their relationship, but Mar remains unconvinced and would prefer to see Isla in a relationship with Anxo, a boy from their school, someone she has actually seen. Isla is insistent, however: Jupiter and she have arranged to meet on Midsummer’s Eve, when they will finally discover whether their online relationship is for real…
In this second instalment of the saga by Elena Gallego Abad devoted to the Galician dragon Dragal, the schoolboy Hadrián, who with his friend Mónica discovered the dragon’s remains in the catacombs under St Peter’s Church, is locked in a struggle with the dragon to see who will come out on top. Mónica has promised to take some food to the Moor’s Pool, where her friend has gone for refuge, but is unsure what dragons eat when they’re not devastating the local population. Before setting out, however, she receives strange, handwritten messages of warning, telling her not to go. She seeks help – first from the parish priest, Father Xurxo, who produces an ancient box containing three objects that might be the Grand Master’s keys, and then from a police officer, Cortiñas, who turns out to have a vested interest in the dragon’s well-being. When Hadrián goes missing, his mother calls the police, but only Mónica knows where he really is. Will she inform the police and break her promise not to reveal where he is hiding? If she does, will the police be in time to save her friend, and what will become of the dragon he has started to turn into?
‘The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown,’ writes H. P. Lovecraft at the start of his essay Supernatural Horror in Literature. In real life, the author Agustín Fernández Paz, Galicia’s answer to H. P. Lovecraft, is reading the newspaper and comes across a classified ad for a haunted house. He imagines what would happen if someone answered that ad. Then what would happen if they went to see the house and liked it. Then what would happen if they had enough money and decided to buy it. And finally what would happen if they went to live there and discovered that the house was really haunted. This is the plot of Winter Letters, one of the best-selling Galician novels of all time. The house will bring to mind, for older readers, the Bates’ home in Alfred Hitchcock’s film Psycho. Inside the house is a book of prints that may remind younger readers of Tom Riddle’s diary in Harry Potter and the Chamber of Secrets. However this may be, the reader is sure to be drawn in by the force and power of the narrative, which is as smooth and sinuous as the sirens’ song heard by Ulysses from the sanctuary of the mast of his ship.
After university, Leo is due to go travelling for six months with her friends Aldara, Inés and Martiño, but at the last minute her friends pull out and Leo is left to travel on her own. Her first stop, in Lisbon, Portugal, is a rain-soaked disaster. She is dragged around the city by her overbearing host and only really gets a feel for the city during the final few days, when she is cooped up in his apartment. But everything changes with her next destination, Barcelona, where she meets up with a group of friends from Latin America who call themselves ‘Ruth & Co.’ and busk for a living. Romance, excitement, frustration, appalling and luxurious living conditions, familiar and foreign cultures, follow as Leo travels to Granada, Córdoba, Seville and Cádiz in Andalusia, Marrakesh in Morocco and finally Istanbul. In this first instalment of Leo’s travelling adventures, Leo discovers that she must learn how to leave a place before she can truly enjoy her experiences, and how travelling can bring you back full circle. She is also mystified by the graffiti that keeps appearing along her route: ‘I Love You Leo A.’ Who is it that has scrawled this graffiti wherever she goes, and what do they want? Only by continuing with her journey and not giving up will Leo find out the answer to this riddle!
One of the most exciting works of literature to have come out of Galicia in the last thirty years, and the first adult-fiction title by Suso de Toro to be made available in the English-language market. There is something startling about this book. With Raymond Carver-like simplicity, the author extracts the commonplace events and ordinary frustrations of life, shedding light on them, exalting them and undermining them at the same time, so that the reader is left in a hiatus, expectant and fulfilled. What goes on here is impossible, outrageous, and yet it happens. A blind man beats and is poisoned by his wife, an aged housemaid tries to breastfeed the baby when the parents are out, a second-hand typewriter insists on typing out its own message, a rapist awaits the family’s vengeance while wishing he knew the victim’s name, a cash machine flirts with a customer of the bank by making spurious deposits into her account, a jumper turns murderous, a porn model seeks an intimate relationship that isn’t confined to the glossy pages of a magazine, a mother loses track of her child, Cain and Abel appear in modern dress, the hero Theseus is driven to question whether he really is a hero or not, a man finds his wife having an affair in the wardrobe… There is something absolutely surprising about these stories that signalled a new direction in post-Franco Galician literature, in a book the author himself described as ‘an outburst of fury inspired by punk.’
From the author of The Low Voices and The Carpenter’s Pencil, the book of short stories that set him on his way and revolutionized Galician literature when it came out at the end of the 1980s. For the first time, Galician prose dealt with the Galician landscape in a modern context, uniting tradition and modernity, placing the poetry of landscape alongside the irony of modern society. In One Million Cows, a collection of eighteen short stories by Manuel Rivas, the first he published, a boy tries to find out if his cousin is really a battery-operated robot, a sailor who has been shipwrecked at sea turns up dead in a local bar, the inhabitants of a village transport a young suicide so that he can be buried in an adjoining parish, a Galician who has recently returned from England dreams of building a golf course on the mud-flats of his childhood, and a prospective councillor is put off by the fish scales on a fishwife’s hands. Manuel Rivas is Galicia’s most international author, and once again the reader will be able to enjoy his striking metaphors, his commitment to what he writes, and his lingering eye for detail.