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Poems by Jonathan Dunne

 

New poems:

 

FOOLS

 

Juan Marsé, a Spanish writer, claims

that, when he was fifteen,

he saw (but did not speak to)

a girl in a green dress, who was beautiful.

Not a day has gone by since then

(he claims)

that he has not imagined that girl in the green dress,

her melancholic eyes, enigmatic smile.

Juan Marsé is now an old man.

Is what he claims true:

that he saw a girl in a green dress, who was beautiful,

and imagines her still every day?

I do not know.

The girl (I would venture) would lead us a merry dance.

Better not to have spoken to her.

Her beauty is not lessened by our walking past.

 

 

 

LIBATION

 

Take the bowl in your hands.

 

Sprinkle it lightly with basil.

 

Carry it into the other room

         (being careful not to spill a single drop).

 

 

At the appointed hour, pour

it on the ground with largesse.

 

 

 

AWAKENING

 

The light was pouring in

through the window you had opened

         when I woke up,

the leaves shimmering in the breeze

like early-morning swimmers.

 

The light this morning

was an altogether different experience:

not the customary dread of another day,

         but how temptation had subsided

         to a single pinpoint of darkness,

been replaced by happiness,

a feeling of lightness,

I could flex my shoulders and

                   breathe in open space,

a dazzlingly white courtyard without spectators

(there being nothing to see or show

since nothing was hidden),

         without this world’s constant teasing

(responding to the third dimension:

a hole for our form, and a form for our hole),

         and all were welcome,

all had had their burdens lifted,

which didn’t matter anyhow,

all were accepted

         and loved

                   and laughed

in a frankly non-dogmatic, unpessimistic,

non-denominational,

trade-free area that was God.

 

All secret desires were acknowledged

         and without disgrace.

In fact they represented

an integral part of all being

and were loved and respected for that.

All shameful acts

         – mass murder, theft, adultery –

were quickly dismissed:

no one ever caused any real harm,

         besides, they didn’t understand.

Here was bliss:

all races and religions

lightly embracing in a spiral

                   for spiritual

dance.

 

The light was pouring in

through the window you had opened

when I woke up

         from my dream,

and the world was no longer

the miserable place we make it,

but the home of an ever and

                   everyone-encompassing

elite.

 

 

 

THE MASSEUSE

 

A Bulgarian gymnast in her sixties

well-endowed and with eyes like walnuts

direct descendant of the partisan Vela Peeva

dressed in a leotard

took me by the arm and

slammed me on the bench

worked her way up and down

my back rotating screws

loosening bolts sliding

levers

She did some kung-fu

located my pressure points

applied a machine I would call

a packer

that ground my bones muscle and flesh

to mincemeat cellophane-wrapped

She climbed up on the bench with me

and taught me to breathe

while pistoning downwards with a thwack

There was a confession rising within me

slowly like mist or

smoke from a chimney

years peeling away like bark

from a fir tree

She sat me on a stool

took me in her embrace

and as she wiped away my thoughts

as she absolved me

I felt her breast like a coffin

 

 

From Even Though That:

 

DOMENICO

 

Domenico has a tub of net in the hallway.

He worked nineteen years in the engine-room of a merchant ship.

But he’s really a fisherman.

He sits in the day and darns.

I’m never sure if he has advanced,

because the net always looks the same.

It seems to have no end or beginning,

like the coils of a snake up a tree.

He darns in the day.

 

He sings while he picks at the thread.

They are songs of heart-stopping beauty that

I do not understand, but I think they have to do

with memory, and I understand.

I listen as the coffee bubbles through the smoke-hole of the pot,

molten copper,

I listen to the strands

of centuries.

 

 

 

TRAFFIC

 

On Procida, people own houses,

have dogs to guard them,

gates to protect them,

walls to keep out prying eyes.

Everyone drives a car.

There are no pavements,

so you have to walk in the road.

Some people slow down,

but most don’t.

The only quiet places

are the bridge to Vivara

and the cemetery.

Here,

you can hear the birds sing.

The traffic worries me.

It scares me, if I’m honest.

The drivers are blissfully unaware.

They think I am the madman.

 

Sometimes I process slowly down the middle

(the road is too narrow to pass)

as if I were deaf, had not heard

the crunch of tyres, the driver’s breath revving.

When I’m going in the opposite direction,

I scowl at the drivers,

I scowl with hatred in my heart.

I open the way for them

with a sweep of my arm.

         Toro!

They fume, I perspire.

Other times, I splay against the wall

in mock horror

like a starfish.

 

They think I am the madman.

I don’t know how else to behave.

 

 

 

IT WAS A BAD DAY

 

It was a bad day.

I was woken by the builders at 7:15.

I was so tired that, working in the morning,

I fell asleep. I wasn’t taking much in

anyway. When I came back for lunch,

they were still at it, this time

drilling on the wall of my room.

Not much, I know, but I’d been hoping

for a kip. I left in a fury,

went walkabout, ended up in the cemetery,

unable to make sense of the living.

The dead weren’t too forthcoming

either, unwilling to let me in

on the secret of all this.

I was just about beat,

so at four I took my work

down to the beach.

It wasn’t a particularly bad day, I know.

It could have been much worse.

Someone could have died or

got sick, or done something awful.

I was tired, that was all,

letting it get on top of me,

until, after a swim, my mouth

parched with salt, she appeared

out of the sun, drilled a

cold drink on to my chest.

Not much, I know, but it made

me feel a whole lot better.

I looked up then and took it all in.

 

 

 

THE SCORPION

 

The scorpion just came to the wrong place at the wrong time.

It wasn’t to know.

It waddled towards us, content almost,

as if it had news to convey,

some juicy gossip, a joke, something like that.

You could tell it had something inside it wanted to get out.

But we don’t speak its language,

and it was heading straight for the dull, yellow light

of our front door.

Lisa jumped up, skipped off in search of a broom,

returned like a gymnast across the mat.

That scorpion didn’t have long to live,

I could have told it that.

It hit the step before our front door,

took a detour.

It may have changed its mind,

been heading out of our lives,

in search of someone else to talk to,

someone a bit more receptive,

someone who spoke its language.

But it was too late for that.

I leapt outside, turned

as Lisa raised the broom (the axe),

took aim as the scorpion cleared the step

(stairs were not an obstacle then),

brought down the broom,

missed!

raised it (the scorpion was fighting an invisible enemy now),

took aim for the second time…

 

The scorpion’s last vision of life

will have been a broom hurtling out of space –

a spasm – and Lisa washed down the tiles

and Torborg asked if scorpions were dangerous.

 

 

Read some stories

Read some poems in Bulgarian

 

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