Anthology - Poets E-I - J-L - M - N-S - T-Z - A
Bogomil Gjuzel
HOMAGE TO STONE
Stone, you that for ages fell in love with the dust
stone, you that cure yourself falling
and still ail for the sky
you who reject to serve anyone
gnawed by poverty
covered with pleadings, scratched with nails
worn out by bare feet
caressed in despair to bring you to life
thrown so that you may circle like a bird
around the thought until it turns to stone
tinkered with heartbeats as with a hammer
and still dumb mute
proud hard obstinate stone.
You who sacrificed both death and life
for a fiercer existence
you who rejected the temporal presence
you who were once a plant, an animal and a man
but returned to your primeval being
near the beloved dust,
you who brought strife into space
you who made the elements quarrel
you who imprisoned the light
you who lure us into your permanence
terrifyingly indifferent to the uninitiated—
go burst with the seed of dynamite
burst with my bad wish
proud hard obstinate stone.
You were always the unavoidable nothing
you mocked fire the stench of water
you lied to the earth
made the highest peak equal
to the depths of the abyss
you who toy with gravity
fall and get up again
in order to suffer more
where is one to find for you a peaceful depth?
Levitating incurably in the river of life
you’ll be without rest
proud hard obstinate stone.
You who like a ball break the lightnings
raise the barricade of comprehension
you who pass like flooding lava
through the rotten door of the senses
and thrown by my muscular catapult
drop in the empty space of unwritten poetry
you who like Moloch melt down the darkness
throwing the sparks of rust into the light
you who crumbled Saints’ halos
together with softened skulls
you who steadily dismantle the skeleton of air
you who will not admit a tear
until the whole eye flows out
sizzling like a hot drop of metal
incomprehensible ugly and divine
proud hard obstinate stone.
You who straighten beauty’s bones
like to a sweet woman that has no choice
but to offer herself to you
to be sucked out like a beehive,
you who dealt with the ages
we now only mention
as with a pack of snotty brats
you who assaulted the stars
until you taught them to keep their distance
you who ground down the gods
rolling them through a dry stream bed
and then slyly permitted them
to borrow for themselves your flesh
what evil what malice to you
mean vile foul exiled stone.
tr. Charles Simic
William Blake
THE SICK ROSE
O Rose, thou art
sick!
The invisible worm
That flies in the night,
In the howling storm,
Has found out
thy bed
Of crimson joy:
And his dark secret love
Does thy life destroy.
Bohdan Zadura
INSTEAD
Instead of suffering at the thought
that there is nothing except thirst hunger and lust
Consider how important is
what you eat drink
and with whom you talk
tr. Bogdan Czaykowski
Andrzej Sosnowski
TROPE FOR TROPE
Halfway there and the flames engulfed us
the prompter will be on cue in a minute.
We flowed, no we didn’t, we fled and now
upright now head down you go like water through a mill-gate
out of breath and out of your depth that should give them
something to dream of. As plain as the words in a song
‘just like a woman.’ But this
high-gloss, semi-technicolour
shoestring of days, pages torn from a diary
glowing like eclectic postmarks
in the album—was it for this, dear basilisk, we lit our powder train?
The explosives are in our possession
I fear, this is it quite frankly.
A match flares up. There’s a cackle of hyenas and the light
blowing up in our faces. Wham! The audience
curls up into a ball, while the hero
drives away into the weird glare
glancing back over his shoulder at the clinker of empire.
The aureole sheens in the eyes of his bride-to-be.
Meanwhile, we are quite patently elsewhere, fluorescent fish
in a derelict aquarium. When did you start hearing things
like the refrain underlying that famous lullaby
or did you work out in advance that background noises
won’t get a look in? Even when sleeping you leave a trail
and only a part of it can be read
when it doesn’t look a bit like what it isn’t, which is blood.
tr. Rod Mengham
Carole Satyamurti
SATHYAJI
Dusk, and the boathouse keeper
calls the late, scattered boats
from beyond the curve
in the lake; calls them by name,
Hirondelle! Angelique! George Sand!
Are they real or imagined,
those smudges of black
in the shade of the far bank?
Again his call, carrying, returning.
What’s in a name? You are—
in the name I called you by;
its weight and shape hard to convey
except—it lent itself to tenderness,
teasing and respect; closeness
and a certain distance.
Now it’s a vessel
for the far-flung
only sure reality of you.
Love draws you back.
In saying your name, I see it
boat-shaped and luminous
stitching the dark,
returned from formless drift
about the world. Let me
recall you. I’ve words enough—
a sheaf of versions. My pen
engraves you differently each time.
Nothing can be held, or hurried.
Wind casts a shiver on the water;
shallows uncertain in withdrawing light.
A phalarope races its image
and is gone; reflected, relinquished,
discarnate as the distant boats
the boathouse keeper calls and calls,
only a name to summon each of them.
Yet, here they come.
BEACH ROSES
What are they, the white roses,
when they are almost nothing,
only a little denser than the fog,
shadow-centered petals blurring,
toward the edges, into everything?
This morning one broken cloud
built an archipelago,
fourteen gleaming islands
hurrying across a blank plain of sheen:
nothing, or next to nothing
—pure scattering, light on light,
fleeting.
And now, a heap of roses
beside the sea, white rugosa
beside the foaming hem of shore:
brave,
waxen candles…
And we talk
as if death were a line to be crossed.
Look at them, the white roses.
Tell me where they end.
Caroline Price
CLIMBING YAR TOR
The pleasure of walking with someone
you don’t know well
but come to know better, one stride
matching itself to the other, finding a way of progressing
despite this weather. Snippets of talk
snatched away by the wind
or stalled for an instant and hanging
outspread like the buzzard whose two-foot wingspan
governs the entire valley, drops
in a rush of silence
on something small, but important.
The paths you push
where paths never were,
transient as sheeptrails, ponytracks
running parallel, drawing together, apart,
the rough heather springing up behind
but never completely; so that anyone coming after
might gather the snags of conversation
as you climb higher, into the clear
domain of ravens, a dolmen, the sudden
lush emerald ring of grass
where something human must have been.
And the wind blows so strongly
when you stand on the Tor
that you can hardly stay upright.
It rips through your cagoule
and the sound is the sound of a kite
that someone is trying to fly
or the sail of a dinghy
years ago, in a Sussex harbour
shuddering, testing the air
before it filled and the perfect silence happened.
Michael Longley
SWANS MATING
Even now I wish that you had been there
Sitting beside me on the riverbank:
The cob and his pen sailing in rhythm
Until their small heads met and the final
Heraldic moment dissolved in ripples.
This was a marriage and a baptism,
A holding of breath, nearly a drowning,
Wings spread wide for balance where he trod,
Her feathers full of water and her neck
Under the water like a bar of light.
Daniel Calabrese
PRODIGY
The work of today is to carry
that stone from here to there.
It’s a very heavy rock, heavier than an ox
or a sack laden with rain,
like a prehistoric hole or a black
mirror that could swallow a world.
The work of today is to raise
that stone with the eyes
and gently lower it on to the middle of the road
to stop the cyclists,
to stop the background music,
to stop Route Two at the time
indicated by the red arteries.
And when everything has been stopped,
slowed down by the stone,
including the pious and enlightened generations,
including the love between things natural
and things manifest,
the work will be to take it away,
to lift that stone once more with tired eyes
and bury it somewhere, nowhere,
in the lake of self-contained indifference
where the bed creaks, the TV set glows,
engines shine, wine spills into light,
memory and sad conversations rot
and sink with the stone into utter extinction.
tr. Jonathan Dunne
Archibald MacLeish
THE END OF THE WORLD
Quite unexpectedly, as Vasserot
The armless ambidextrian was lighting
A match between his great and second toe,
And Ralph the lion was engaged in biting
The neck of Madame Sossman while the drum
Pointed, and Teeny was about to cough
In waltz-time swinging Jocko by the thumb
Quite unexpectedly the top blew off:
And there, there overhead, there, there hung over
Those thousands of white faces, those dazed eyes,
There in the starless dark, the poise, the hover,
There with vast wings across the cancelled skies,
There in the sudden blackness the black pall
Of nothing, nothing, nothing—nothing at all.
Dimitris Allos
VOICES THAT NEVER ESCAPED
(Archilochus in my dream)
A certain Sahios must be enjoying now the shield that accidentally I threw away next to a bush even if it were an exquisite weapon; but I managed to escape. What do I care about the shield? Let it get lost! Another one I will acquire again no less good.
Archilochus
1
He learned how to walk on silences
maybe this is why his words recall silences
—ah! but do birds think of things like that?
2
When surprise
cuts through my sides like a knife
a dream of mine becomes
as real as flesh and bones
3
The clock has stopped
I count time with breaths
4
Everything inside me broken glares and nails
I don’t dare to move even my little finger
poems hack to pieces
5
I am bleeding he whispered and a most tender awe
swept his little body away
6
Time is
poetry’s nourishment
and her lovers—occasionally
time’s new attire
7
Allegories of white devoured him
8
Snow makes
all my colours fade
even the white colour
9
Ah time!
ah time!
bird of tiny deaths
10a
I grope the shape of my skull
out of curiosity
10b
A small mistake at the excavations
gave the right impression: that of a smile
11
When I stumble on my luck
all my wounds fall on me
(hit by wishing of course)
12
My hands are red
as
it becomes
the victors
13
They wake up alarmed
—novice roosters—
and they peck on the capsules
of ‘I wish’
14
When my luck stumbles —up there of course—
a star falls
in my sleep
(… high up in the sky a moon shone as
precious as the Disk of Phaestos… just
what I needed—I said—just what I
needed… to serve this self reliant poem)
She banged in the room
her infected
coin the tepid fly
but where should I start
what can I denounce first
I woke up in the bed of Procrustes
and I was
so close so close
tr. Katerina Anghelaki-Rooke
Nikos Karouzos
WOMAN,
OBSTINACY OF ASIA
You are a continent of the chest from the depths of
races,
you wander like the moon,
pain is a tendril and your love mercury
woman, obstinacy of
Asia.
When you cast a glance at the ripening valleys,
as the winds take it to the heights,
you exploit the branches and pour poison into the moon.
Solitary as a murder, you dwell in consciousness
conspiring against the divinities of birds,
you with your rivery black hair,
you again and again with your dark eyes.
I tell the sun to pause without kindness
ripping apart the great colour of dream,
tell it to fight you with bubbling sulphur
and to demolish all of the memory that torments me.
Look times have brought me to your steps
the vegetable dinosaurs, the heavenly latitudes,
a loose sheaf of blood, ready for scattering,
when I cried out without reply: would that I were blue.
You came to stay until death,
purple reflections from your limbs,
I asked but never learned where you found the dark,
you lock up your sound in secret streams
you alone, with the explosive voice of silence.
You came to stay till the far-off dawn,
you passed by bodies and are still travelling.
I did not live and the beauty of
Attica is my
whole journey.
Singing amid so much yearning
I know nothing of the weapon of oblivion.
tr. Philip Ramp
Dmitry Golynko
JUST LIKE THAT
1
just like that, yeah, catch on
a man in a black raincoat
sees, in the stairwell
they cross paths, a child-
paralytic in wheelchair
and a Chechen terrorist,
what are they, victims of the system
or a part of it, there’s a shock for you
2
just like that, yeah, get a grip
a man in a black raincoat
looks around, where to jerk off,
you’re a soldier, he tells himself,
but a soldier bringing up
the rear and a soldier breaking
rank, are in essence
the same: beef soup
3
just like that, yeah, drool all you want
a man in a black raincoat
beholds the manna of heaven
spread all over the earth
an eyesore to all the land,
to the boarded up convenience store,
the emaciated cur, the bearded geezers
on their perch, a brutal hangover
4
just like that, yeah, dig it
a man in a black raincoat
looks at the hands of a woman,
Asiatic, thin, without a single
blemish, if you blow off the dust
of impunity, everything
is ground to dust, flakes to the floor,
the style: doggy
5
just like that, yeah pack it in
a man in a black raincoat
looks at the undeveloped
ribcage, belonging to
an unknown, if caught up in lies
it will take bigger lies
to touch another heart, the abscess
festers, eyes burn
6
just like that, yeah get off it
a man in a black raincoat
looks at the prison building,
the numbers blurred, within
are those who have committed
crimes against, different rules apply,
break-ups, trysts, the origin of the species
of violence is vague, even for the saints
7
just like that, yeah take a dump
a man in a black raincoat
looks at a hair
fifteen centimeters long, who
let it fall, lonely-heart-mother
or Chechen terrorist,
what unpleasant character
of this epoch, coochicoo after that
8
yeah, just like that, catch the drift
a man in a black raincoat
looks at the ones who
pulled themselves from the wreckage
then at those who didn’t
get out, whom they carry on stretchers
there and further on, he opens his eyes
wide, deserve astonishment
9
just like that, yeah bite in
a man in a black raincoat
watches the swimmer
thrashing in ice, the jacked-up gangster